Streets of Fire
Walter Hill’s cult classic is tacky, overflowing with clichés and relentlessly over the top, it is also strangely brilliant. The director himself said he wanted to make the kind of film he would have loved as a teenager, filled with “custom cars, kissing in the rain, neon, trains in the night, high-speed pursuit, rumbles, rock stars, motorcycles, jokes in tough situations, leather jackets and questions of honor”. Streets Of Fire encompasses all of these facets, bathes them in neon and blends them into a storming rock and roll fantasy.
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